Let’s visit a blacksmith’s!

May 23rd, 2018 by
Category: Culture Art, Experience, Information

Samurai’s katana with their lethal beauty have fascinated generations of foreigners. In the collective imagination a Japanese sword is synonym of sharpness and the smiths who forge those blades are shrouded in mysticism and legends.

With the end of the samurai era swords stopped being a part of Japanese life, but the unsurpassed techniques which lay behind their forging keep living in modern blades such as kitchen knives and saws. As a matter of fact, Japanese knives are praised by top-level chefs all over the world for their performance.

Hammering the metal

Mass production may have almost taken over the world of blades, yet some stubborn blacksmiths who keep making their knives the old way still stand. In Chino, the area spreading at the foot of the Northern Yatsugatake Mountains, you can meet one of them.
Sadamasa, a local smith’s specialized in blades used in farming and everyday life, has been in business for about 100 years. In the past as many as 10 artisans used to work here, providing the locals with all the blades they needed from sickles to kitchen knives. Nowadays Yusuke, the owner’s son, is the only one left.

Workshop detail

The first time I stepped into his shop, I felt like I trespassed into another world. It looked stilled in time, as if it had not changed one bit since the early Showa era. The walls and tools blackened by years of forging, the smell of steel and iron, the dim light seeping through the windows to illuminate the work space, everything told the story of years of blade-making.
What if I told you that you too can visit this unique dimension? Or even better, you can witness the smith at work and under his guide forge your own Japanese knife?
From now, that’s possible!

There is an activity that over the course of 2 days (3 hours per day) allow you to unveil the secrets of 100 years of Japanese blacksmithing and bring back home a knife made with your own hands. You want to know more? Okay, follow me…

Forge

From Chino station we walk for about 10 minutes until we reach an old shop with a sign saying “Sadamasa”. To welcome us are Yusuke, the smith, and his father, the owner of the shop. We sit at a table on the back of the shop and Yusuke’s father starts telling us about the history of Sadamasa and how his ancestors opened it many years before. After that, Yusuke takes over and introduces us to that day and the following day’s task. He also explains the features of Japanese knives and what makes them so special.

Metal after first hammering

Once we have acquired more knowledge on the acclaimed blades, we prepare for the tasks at hand and cross the yard at the back of the shop that leads to the workshop. When we open the door, we are catapulted in the world of blade-making. I am stricken by the metallic smell, the blackened walls and the silence, full of promises, while I wait in trepidation.

We pass through the old machineries to reach Yusuke’s favorite work position. There he lights the fire of the forge and while we wait for it to burn stronger, he shows us the metal bars we are going to use, iron with a heart of steel. He then puts the hammer into motion, the old-fashioned pistons breaking the silence, and expertly moves the impossibly-red incandescent metal under its weight forth and back, right and left, over and over again, until the bar has taken the semblance of a blade.

Hammering by hand

The blade, at that point cooled in cold water, is passed to us. We are to complete the forging by hand. We plunge the blade in the burning forge, lay it on the anvil and hit it rhythmically with the hammer to achieve a smooth surface. Unexpectedly, brute force doesn’t help you in this process as iron is extremely sensitive and too much force causes small bumps to form on the surface. Luckily, Yusuke corrects our mistakes and the end result is amazing.

Drawing the edges

The next step is to get rid of the oxide film which has formed on the blade by passing it under a shower of sand dust. When that is done, Yusuke takes the blade once more for the normalization process, which requires the skillful hands of the smith. We then cut the excess metal and model the knife final shape.

Finally, we proceed to the last step (of that day), the tempering!
First, the blade is polished so that during the tempering the heat can propagate all the way to the core. Second, we coat the blade with a thick layer of mud and pass it above the fire to let it dry (this is done to protect the blade). At last, we immerge it inside a hot bubbling substance that looks like magma and conclude by letting it sink into a barrel of oil to rest for several hours.

The job for that day done, we leave (but can’t wait to continue on the following day).

———————————————————————————————————–

The next day finally comes and we enter the workshop one last time. The tempered blade is there waiting for us.
During the tempering the steel shrinks, so we start by adjusting the warps with a small hammer; except the warps are really difficult to spot. The same blade which seems perfect when I look at it is found in need of many corrections when Yusuke’s trained eyes inspects it. (Craftsmen have such great abilities!)

After polishing

Putting an edge

 

Sharpening the blade

What comes after is probably the most important process of all: putting an edge to the blade! To avoid overheating the metal, cold water is constantly poured on it during the whole process. There is so much beauty in seeing the steel appear from under the iron, the shinogi (ridge) slowly forming.

At last, we sharpen the edge by grinding it against a wet natural stone. (This too is a very delicate work). The steam rising from the hot blade when it meets the cold wet stone is mesmerizing.

And… it’s done! We have really made a knife with our own hands and it’s glorious. To check the sharpness, we hold a leaf in midair between our fingers and pass the knife through it from above: there is no resistance, as if we’re cutting through air!

The handle applied, we put the knife in a box, say farewell to Yusuke and get ready to leave.
Every time I cook with this knife, I’ll remember this experience.

Putting on the handle

 

Details:
Period: all year
Time: 3h x 2 days (total 6h)
Capacity: Min. 1 person Max. 3 persons
Price: 24,000 yen/1 person
25,000 yen/2 persons sharing 1 knife
Includes: activity cost, 1 kitchen knife, English-speaking guide

 

 

For further information, contact Chino Tabi at ask8@chinotabi.jp

The final result

New Train Pass for Exploring Karuizawa, Nearby Hot Springs, and More!

March 1st, 2018 by
Category: Cuisine, Culture Art, Information, Miscellaneous, Report, Shopping

Click on the image to see the full PDF flyer.


The Shinano Railway Banzai Two-Day pass offers great savings for anyone interested in spending time in the eastern Nagano area. The pass covers the Shinano Railway line between Karuizawa and Yashiro Stations and costs 1,000 yen for adults—already 300 yen cheaper than the one-way fare between the two! The pass is currently going through a trail run from February 1st to March 31st, 2018, but organizers are hoping to turn it into a year-round option.

When using the Banzai pass, you can enjoy eastern Nagano’s fresh foods, wine, and culture. I recently had a chance to explore more of the area, and I’d like to recommend a three-day course between Nagano and Karuizawa:
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Zenkoji’s Lantern Festival — Part of Nagano’s Olympic Heritage

February 13th, 2018 by
Category: Culture Art, Events, Outdoor Activities, Seasonal Topics

Last night, we went to Nagano City’s venerable Zenkoji Temple for the last night of the 15th annual Toumyou Matsuri (Lantern Festival).  It is in commemoration of the 1998 Winter Olympics.  The visual artistry was a heart-warming display, which was dearly welcomed with the sub-freezing temperatures!  I’ll let the pictures do the talking:

New Years Bonfire Tradition: Suzaka’s “Dondo-Yaki”

December 29th, 2017 by
Category: Cuisine, Culture Art, Events, Experience, Information, Outdoor Activities, Seasonal Topics, Sightseeing

After New Years, neighborhoods traditionally gathered the spent bamboo, dharma dolls and other decorations, piled them up and held a bonfire for an event called “Dondo-Yaki”.  While this tradition is becoming less common in urban areas, many communities in Nagano continue to put on “Dondo-Yaki”, usually around the holiday weekend at the beginning of January.

Suzaka Town’s “Dondo-Yaki” for 2018 will take place on Monday 08-Jan (“Coming of Age Day” national holiday) on the grounds of Suzaka Elementary School.  The bonfire will be lit at 5pm.  Participation is free.

It is said that if you eat mochi (sticky rice) roasted over the “Dondo-Yaki” bonfire, you will have good health for the year.  Many participants bring their own mochi rolled up in colorful balls and stuck to a branch for roasting over the coals.

Suzaka’s Guesthouse KURA can provide more details.  On Sunday, they will make mochi and prepare to roast it at the bonfire, so guests can enjoy a full “Dondo-Yaki” weekend.

Meet Japan’s Emperors (and General MacArthur)

November 4th, 2017 by
Category: Culture Art, Information, Sightseeing

Curious about Japanese emperors? The Japan History Museum on the hill behind our Onsen Town Togura Kamiyamada has a permanent display of portraits of all the emperors and empresses dating back to mythological times.
The museum will be open until the end of November and the again in the spring. Entrance is 500 yen.
The museum’s temporary display features the history of Daihongan, one of the two Buddhist sects that manage Zenkoji Temple. Kanon-ji, he temple neighboring the museum, is a branch of Zenkoji under the Daihongan sect

 

48 Hours in Nagano City

August 18th, 2017 by
Category: Cuisine, Culture Art, Information, Sightseeing

In 1998, Nagano City hosted the Winter Olympic Games and introduced the world to the Japanese Alps, the Jigokudani Snow Monkey Park, and glorious Japanese powder (or, “japow”). But that isn’t all that the area has to offer. With beautiful Buddhist temples and Shinto shrines in the heart of Japan’s mountains, Nagano City is a hub of spiritual sites and natural splendor.

Take a model 2-day trip around Nagano City and enjoy another side of Japan!

National Treasure Zenkoji

The main hall of Zenkoji Temple


After arriving in Nagano, walk (or ride the colorful Gururingo bus) from the station to Zenkoji, following the wooden lanterns along Chuo-dori street. Eventually you’ll reach Motozen-machi with its cobbled streets and beautiful temple lodges. After passing through the Niomon and Sannomon gates, you’ll see Zenkoji—one of the largest wooden temples in Japan with over 1400 years of history.
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Best Museums and Galleries in Nagano

July 12th, 2017 by
Category: Culture Art, Information, Sightseeing

Zhuge Liang puppet in the Kawamoto Kihachiro Puppet Museum

It’s Japan’s infamous rainy season and that means that unpredictable, sudden squalls are just around every corner. You’ll get soaked, your laundry won’t dry, trains and buses may be delayed, and it can be hard to do anything outdoors on the weekends. When it’s too wet to climb mountains or have picnics, what else is there to do in Nagano?

Cafés, karaoke, and staring at the ceiling are some possible options, but there are also plenty of museums and galleries around the prefecture that feature interesting historical artifacts and beautiful paintings. Spend some of your rainy days brushing up on Japanese history and art in one of Nagano’s many museums.
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Japan Alps Art Festival at Omachi, Nagano

June 30th, 2017 by
Category: Culture Art, Events, Experience

 

Located at the foot of the 3000+ metre Kita Alps mountain range in the Northwest of Nagano Prefecture in the town of Omachi, The Japan Alps Art Festival (JAAF) is conceived to showcase unique and imaginative natural artworks, commissioning many international artists, that complement and highlight the region’s epic natural landscapes and features. Planned to continue on a triennial basis, the inaugural 2017 event is currently nearing the midway point of its approximate 7-week course (June 4-July 30) and is on  track for over 20,000 attendees.

Being a proud Omachi resident of 3 years, I was invited to join the bloggers tour for a day sampling some of the art installations (and 1 or 2 local restaurants). The exhibition is far too large to see every exhibit in one day – there are 38 primary exhibits [you can preview the complete catalogue at the JAAF website] distributed all over Omachi in 5 separate sections {eastern mountains, three lakes, headwaters, dam, downtown} – transport of some kind is required – with a private car, progressing through the exhibition sequence at a relaxed enjoyable pace, we were able to see about a dozen exhibits over 8 hours. For visitors, at least two and probably three days is recommended to see it all comfortably. A special bus and a special taxi servicing the entire span of exhibits runs daily for the duration of the festival. Car rentals are available, offering more flexibility and time efficiency. (These require an international driver’s permit for foreign visitors).

Following is a small sample of a few of the exhibits we have seen thus far. We will cover the remainder over the remaining month of the festival.

Pre-opening jazz music act:

 

Exhibit 30:

Tangible Landscape by Japanese artist

 

 

 

 

 

 

 

 

 

 

 

Exhibit 33:

Bamboo Waves by Russian artist Nikolay Polissky

 

 

 

 

 

 

Exhibit 15:

Arc ZERO is by Australian “Land-and-Light” artist James Tapscott (who, we were astonished to learn, hails  from our former suburb back in Australia – quite a coincidence in this part of the World.)

 

Exhibit 16:

Trieb – Forest in Rain by Japanese artist  Toshikatsu Endo

 

Exhibit 34:

Hameau d’ellipes by Swiss artist Felice Varini

 

Exhibit 29:

Located at Reishoji Temple, a collection of fantastically ornate wood sculptures and a sound+light show by the highly accomplished local Omachi resident artist Sadao Takahasi.

 

 

 

 

 

 

 

 

 

 

 

 

Exhibit 14:

Tatsu by Italiian artist Patrick Tuttofuocu


 

 

 

 

 

 

 

 

 


 

Special thanks go to the many, many organizers and volunteers from the Omachi community and to the various local, regional, national and even international corporate and government sponsors of this impressive event – in its inaugural instance, the Japan Alps Art Festival appears to have exceeded all expectations and bodes well for a burgeoning tenure in the years and decades ahead.

Samurai Sword Special Exhibition at Matsumoto City Museum

May 12th, 2017 by
Category: Culture Art, Sightseeing

Matsumoto City Museum, which is right next to Matsumoto Castle, is holding a special exhibition featuring samurai swords and other blades from the major sword making regions of Japan. The exhibition runs until June 4th, 2017. There isn’t much explanation about the swords and other items provided in English, but they are beautiful to look at.

Poster for the exhibition

In the exhibition you’ll find not only the typical samurai swords, but also an amazing full suit of samurai armor, the pieces and parts that are used to make the swords, art depicting the samurais with their weapons in action and some other blades such as a spearhead. Don’t miss it if you’re a Japanese history buff or just think samurais and swords are cool.

Up close look at the symbol etched into the base of a katana blade

Full suit of samurai armor

Samurai sword set consisting of the large blade and smaller sword.

Beautifully crafted blades

Rain covers for the swords

Parts of the hilt and a small knife.

Head of a spear and artwork depicting a samurai using it

Display of several swords in their sheathes.